- Twenty-Five, a solo exhibition at 187 Augusta
Twenty-Five is a process-based creative meditation on healing and labour featuring 25 hand-cut and watercolour prints on handmade paper, and an accompanying zine with vignette meditations, Twenty-Five is an interdisciplinary communal experience of love of self as an act of labour, and the process of labour as a path of healing. How do we come to know the lines and shapes of ourselves and what do we take with us as we journey?
- Sp l it (on-site papermaking), artist residency at Artscape Gibraltar Point
“Sp l it” is a papermaking residency, exploring the tensions between land and water histories in Tkaronto, particularly around the lakeshore and Menecing / Toronto Islands. Using the history of flooding on the islands (2017) being the most recent example), Tkaronto’s relationship with the lake as a trading port, the 1858 severing of the islands from the mainland, and the 2010 government of Canada’s land claim settlement with the Mississaugas as touchstones to consider land and water as archive and its absence, “Sp l it” is a site-specific papermaking process, using Lake Ontario water to pull sheets of paper, embedding history into the materiality of the paper object and the process of object creation.
- Referent (deconstructed zine), a jabs collab publication
Referent (zine) is hand-cut and hand-bound, put-it-together yourself zine. It features empty pages lined with photo corner tags and deck of 24 poems and 24 illustrations on 2.5″ square cards, packaged in tandem with the book. Individuals are invited to free associate the connections between these images and poems. In line with the spirit of the visual art piece, every “Referent” zine is different from the last, because of a different curating hand and eye.
- Referent (mixed media collage), exhibited as part of Evolution, Art Starts
“Referent”, is an illustration/poetry collage detailing landscapes and vignettes from the cities of Hong Kong and Toronto, places that Abby and Jasmine both have ties to. The web-inspired collage format gestures to the lack of a single point of origin, and the piece contemplates on the way the diasporic narrative is a construction of loose snapshots we construct our homes out of, as opposed to a fixed narrative pathway.